SOPHIA ACORD

Acord, S.K. (conditionally accepted). Installing contemporary art: Curatorial power and agency in configuring museum publics. Cultural Sociology.

Acord, S. K. (2010). Beyond the head: The practical work of curating contemporary art. Qualitative Sociology 33(4), 447-467. Special Issue: Knowledge in Practice. Available online at: http://www.escholarship.org/uc/item/7j2036s7

Acord, S.K. & DeNora, T. (2008). Culture and the arts: From art worlds to arts-in-action. The Annals of the American Academy of Political and Social Science 619(1), 223-237.

Sutherland, I. & Acord, S.K. (2007). Thinking with art: From situated knowledge to experiential knowing. The Journal of Visual Art Practice 6(2), 125-140.

Acord, S.K. (2006). Beyond the code: New aesthetic methodologies for the sociology of the arts. Sociologie de l’Art OPUS 9-10, 69-86. 2 (issue on contemporary curatorship). Available at: http://bezalel.secured.co.il/zope/home/en/1143538156

Acord, S.K. (2006). The road to public art: Interview with Hans-Ulrich Obrist. ARCO Contemporary Art (special art fair edition), 38.

KARI BJERKE BATT-RAWDEN

Batt-Rawden,KB; (2009).Musikkens rolle og betydning for vår helse og livskvalitet. I Larsen & Nylenna (Red); Medisinens randsoner. Michael 2009;6:366-542.

Batt-Rawden, K.B & Tellnes, G: (2007). Music and Health Promotion. Paper accepted for oral presentation at the 19^th IUHPE World Conference on Health Promotion and Health Education – Canada, Vancouver. http://www.iuhpeconference.org/en/sitewide/site-info.htm or ( This e-mail address is being protected from spambots. You need JavaScript enabled to view it )

Batt-Rawden, K.B., Trythall, S. & DeNora, T. (2007) Health Musicking as Cultural Inclusion. In: Edwards, J. (Eds.). ‘Music: Promoting Health and Creating Community in Healthcare’. Cambridge: Cambridge Scholars Press

Batt-Rawden, K.B., & Aasgaard, T.(2006)¹. Music a Key to the Kingdom. Electronic Journal of Sociology. http://www.sociology.org/content/2006/tier1/batt-rawden.html. ISSN - 1198 3655: pp. 1-21 (retrieved online 8th of June, 2006).

Batt-Rawden, K.B. (2006). Musikk – en nøkkel til indre skattekamre? [Music – a Treasure Trove?]. In: Aasgaard, T. (Ed.). Music & Health. Cappelen Akademiske Forlag, Oslo.

Batt- Rawden, K.B. (2006). Empowering Musical Rituals as a Way to Promote Health. In: Baroni, M., Addessi, A.R., Caterina, R. & Costa, M.: Proceedings of the 9th International Conference on Music Perception & Cognition (ICNPC9). The Society of Music Perception and Cognition (SMPC) and European Society for the Cognitive Sciences of Music (ESCOM). Bologna/Italy, August 22-26 2006. pp. 544-552.

Batt-Rawden, K.B. (2006). Music -- a strategy to promote health in rehabilitation? An Evaluation of participation in a ‘Music and Health Promotion project’. International Journal of Rehabilitation Research. Vol. 29 (2) pp. 171-173.

Batt-Rawden, K.B. (2006): Music as a transfer of faith – towards recovery and healing. In: Journal of Research in Nursing.

Batt-Rawden, K.B., DeNora, T. & Ruud, E. (2005): Music Listening and Empowerment in Health Promotion: A study of the Role and Significance of Music in Everyday Life of the Long-term Ill. Nordic Journal of Music Therapy. Vol 14 (2) pp. 120-136.

Batt-Rawden, K. B. & DeNora, T. (2005). Music and Informal Learning in Everyday Life. Music Education Research, Vol. 7 (3) pp. 289-304.

Batt-Rawden, K.B. & Tellnes, G. (2005). Music and Health Promotion. A case study. In: Tellnes, G. (Ed.). Urbanization and Health. New challenges to Health Promotion and Prevention. Academic Press, UniPub. Oslo.

Batt-Rawden, K.B., DeNora, T. & Ruud, E. (2005): Music Listening and Empowerment in Health Promotion: A study of the Role and Significance of Music in Everyday Life of the Long-term Ill. Nordic Journal of Music Therapy. Vol 14 (2) pp. 120-136.

Karlsen, [Batt-Rawden] K.B. & Ommundsen, Y. (1997). Problemer med å være fysisk aktiv? [Problems of Being Physically Active?] Tidsskrift Norsk Lægeforening. Vol 117 (19) pp. 2790 -2794.

Karlsen, [Batt-Rawden] K.B. & Ellingsen, I. (1995). Frivillige omsorgsgrupper -- ønsker og arbeidsmåter [Voluntary Organizations – methods and aims]. Helse-og sosialforum. Vol 69 (5) pp. 6-9.

Karlsen [Batt-Rawden], K. B & Graff-Iversen, S. (1994). Allmennpraktikerens tiltak ved høy risiko for hjerte- og karsykdom [GPs’ strategies to prevent risk of heart disease] Tidsskrift Norsk Lægeforening. Vol 114 (29) pp. 3427 -3430

Karlsen, [Batt-Rawden] K.B. (1992). Hvorfor kommer folk til hjerte-og karundersøkelsene - og hva påvirker frammøtet? [Why do people participate in health screening services: which factors influence their decision?] Norsk Epidemiologi. Vol 3 (2)

Karlsen [Batt-Rawden], K B. (1991). Fysisk aktivitet gir færre sykdommer: helsevesenet kan spare hundrevis av millioner [Physical activity may prevent illness and disease: The National Health Service may save Millions]. Helse-og sosialforum. Vol 65 (1) pp. 27-31.

Karlsen, [Batt-Rawden], K.B. (1990). Helseatferd og sosiale ulikheter. [Health and social inequality] Utposten. Vol 19 (7) pp. 264-7.

Karlsen, [Batt-Rawden²] K.B. (1988). Divorce and Custody. A qualitative study of 41 parents. Dissertation. University of Oslo, Norway.

Batt-Rawden, KB (2010). Music as a technology of health and well-being. In. International Journal of Mental Health Promotion (forthcoming).

ARILD BERGH

Bergh, A., Sloboda, J (2010) Music and art in conflict transformation: A review; Music and Arts in Action, pp 2-18

Bergh, A. (2008) Everlasting love: The sustainability of top-down vs bottom-up approaches to music and conflict transformation. In S. Kagan & V. Kirchberg's (Eds.), Sustainability: A new frontier for the arts and cultures, pp. 351-382. (Germany): VAS-Verlag.

Bergh, A. (2007) I'd like to teach the world to sing: Music and conflict transformation; Musicae Scientiae; Special issue; pp 141-157

Bergh, A., DeNora T. Flexibility and (Dis)engagement – mobile music and the politics of everyday life; in Sumanth Gopinath and Jason Stanyek (eds), Oxford Handbook of Mobile Music and Sound Studies: Oxford University Press (forthcoming)

Bergh, A. Emotions in motion: Transforming conflict and music; in Irène Deliège and Jane Davidson (eds), Music and the Mind: Investigating the functions and processes of music (a book in honour of John Sloboda): Oxford University Press (forthcoming)

Bergh, A., DeNora T. From wind-up to iPod: techno-cultures of listening; in Eric Clarke, Nicholas Cook, Daniel Leech-Wilkinson and John Rink (eds), The Cambridge Companion to Recorded Music, Cambridge: Cambridge University Press (forthcoming)

PEDRO DOS SANTOS BOIA

 Dos Santos Boia, P. (2010) Explorando Novos Caminhos na Sociologia da Música. Construção social, materialidade e identidade na relação instrumento-instrumentista, in Sociologia. Published by the Departament of Sociology of Faculdade de Letras da Universidade do Porto

Dos Santos Boia, P, Lopes, J. T.,Ferro, L. (eds) Género e Música Electrónica de Dança. Experiências, percursos e ‘retratos’ de mulheres clubbers. CIG Portuguese Comission for Citizenship and Gender Equality (forthcoming)

Dos Santos Boia, P, Humanizing the Analysis: Mozart as a transitional figure, the symbolism of the Viola and Romanticism” (working title), Cultural Sociology. Published by Sage/ British Sociological Association (forthcoming)

Dos Santos Boia, P., Lopes, J. T., Ferro, L., Guerra, P. Género e Música Electrónica de Dança. Experiências, percursos e ‘retratos’ de mulheres clubbers, Sociologia Problemas &Praticas. Centre of Research and Studies of Sociology of Instituto Universitario de Lisboa [Lisbon University Institute]/ Celta (forthcoming)

Dos Santos Boia, P.,Lopes, J. T., and Ferro, L. Construções Identitárias de Género de Mulheres Clubbers: proposta de um quadro analítico, Configuracoes Department of Sociology of Universidade do Minho (Braga, Portugal); (forthcoming)

ELIZABETH DENNIS

Dennis, E. Singing as you care: an effective therapeutic intervention Journal of Dementia Care (forthcoming)

Dennis E., Moran, N. (2010) Can background music and caregiver singing benefit people with dementia? Results of a study in a Scottish care home. Proceedings of the 11th International Conference of Music Perception and Cognition, University of Washington, Seattle.

TIA DENORA

Books

Music-in-action: essays in sonic ecology, Ashgate, 2011.

After Adorno: Rethinking Music Sociology (ASA Culture Section Best Book Prize, Honourable Mention, 2005), Cambridge University Press, 2003.

Music in everyday life, Cambridge University Press, 2000.

Beethoven and the Construction of Genius: musical politics in Vienna 1792-1803, Berkeley, Los Angeles and London/Paris, California and (French Edition) Fayard, 1995.

Articles

with SK Acord, Culture and the Arts: From Art Worlds to Arts-in-Action,ANNALS of the American Academy of Political and Social Science, vol. 619, no. 1, 2008, 223-237

Health Musicking in Everyday Life, Psyke and Logos, vol. 28, no. 1, 2007, 271-287

Evidence and Effectiveness in Music Therapy: Problems, Possibilities and Performance in Health Contexts, British Journal of Music Therapy, vol. 20, no. 2, 2007, 81-99

with K Batt Rawden, 'Music and Informal Learning in Everyday Life', Music Education Research, vol. 7, no. 3, 2005

The Pebble in the Pond: Musicing, Therapy, Community, Nordic Journal of Music Therapy, vol. 14, no. 1, 2005, 57-66

Music Sociology: Getting the Music into the Action, British Journal of Music Education, vol. 20, no. 2, 2003, 165-177

“Music into Action: Performing Gender on the Viennese Concert Stage, 1790-1810, Poetics: Journal of Empirical Research on Literature, the Media and the Arts, vol. 30, no. 2, 2002, 19-33

'The role of music in the daily lives of women - the case of intimate culture', Feminism and Psychology, vol. 12, no. 2, 2002, 176-181

'Quand la musique de found entree en action', Terraine ( Mission du Paatrimonie du ministere de la Culture, Paris, 2001, 75-86

with R Witkin, Introduction', Poetics:Journal of Impirical Research on Literature, the Media and the Arts, 2001, 1-5

When Musicians Make Markets - the case of Beethoven in 19th century Europe, European Societies (journal of the European Soc Assoc)

with K Batt-Rawden, E Ruud, Listening and Empowerment in Health Promotion; A study of the Role and Significance of Music in Everyday Life of the Long-term ill’, Nordic Journal of Music Therapy,, vol. 14, no. 2, 120-136

Chapters

Music Space as Healing Space: Community Music Therapy and the Negotiation of Identity-Trails in a Mental Health Centre, in Born G (eds) The Privatization and Publicization of Musical Space, Cambridge University Press, 2011

Music as a Medium of Practical Consciousness: Self-care, Perceptual Adaptation, and the Case of Mental Health, in Clarke D (eds) Music and Consciousness, Oxford University Press, 2011

Emotion as social emergence: perspectives from music sociology, in Juslin P, Sloboda J (eds) Music and Emotion, Oxford University Press, 2010

with A Bergh, From wind-up to iPod: techno-cultures of listening, in Cook N, Wilson-Leech D, Clarke E (eds) Cambridge Companion to Recorded Music, Cambridge University Press, 2009, 102-114

Culture and Music, in Bennett T, Frow J (eds) Sage Handbook of Cultural Analysis, London: Sage, 2008

Enculturation, in Musikpsychologie – das neue Handbuch, Reinbek/Hamburg: Rowohlt, 2008

Two or more forms of music, in Bresler L (eds) International Handbook of Research in Arts Education, Springer, 2007

with LT DeNora, K Batt-Rawden, S Trythall, Health Musicking as Cultural Inclusion', in Edwards J (eds) Music: Promoting Health and Creating Community in Healthcare, Cambridge: Cambridge Scholars Press, 2007

Music as Agency in Beethoven's Vienna, in Eyerman R, McCormick L (eds) Myth, Meaning and Performance: Toward a New Cultural Sociology of the Arts, Paradigm Press, 2006, 103-120

Music and Social Experience, in Jacobs M, Hanrahan N (eds) The Blackwell Companion to the Sociology of Culture, Blackwell, 2005, 147-159

'Musical Practice and Social Structure: The Sociology of Music and its Toolkit', in Clark E, Cook N (eds) Empirical Musicology, Oxford: Oxford University Press, 2004

'Music Meaning and Everyday Life', in Hnrahan N, Jacobs M (eds) Blackwell Companion to the Sociology of Culture, Oxford: Blackwells, 2004

Embodiment and Opportunity: Performing Gender in Beethoven’s Vienna, in Weber W (eds) The Musician as Entrepreneur and Opportunist, 1600-1900, Bloomington: Indiana University Press, 2004

Patronage, in Eisen C (eds) The Oxford Mozart Companion, Oxford: Oxford University Press, 2004

'entry for 'Love and Courtship'', in Shepherd J, Horn D (eds) Encyclopedia of Popular Music of the World, London: Cassell, 2003

Aesthetic Agency and Musical Practice: New directions in the Sociology of Music and Subjectivity, in Juslin P, Sloboda J (eds) Music and Emotion, Oxford: Oxford University Press, 2001

Editorial comments

Editorial, Eighteenth Century Music, vol. 3, no. 1, 2006, 3-6

SIGRUN LILJA EINARSDOTTIR

Einarsdottir, S.L., (1999) Brydebud in Vik, 1895-1980.Lesbók Morgunblaðsins

Einarsdottir, S.L. and Sigurjonsson, N. (2010). ,,Without somebody to keep you going, you´re like a headless doll, aren´t you?“ The role and importance of the choral conductor. Rannsóknir í félagsvísindum XI. Conference Paper at Þjóðarspegill, Institute of Social Science Research, University of Iceland. URL: http://skemman.is/stream/get/1946/6755/18648/3/253-259_SigrunLiljaEinars.pdf

Einarsdottir, S.L. (2010). Er tónlistarsmekkur kórsöngvara óháður menntunarstigi? Um tengsl menntunar og viðhorfa til tónlistar og verkefnavals í kórastarfi á Íslandi og í Englandi(Does educational stage affect musical taste and choristers´ perspectives towards choral repertoire? The importance of education/music education in choral activities in Iceland and England) Conference paper in Netla, School of Education, University of Iceland (In Icelandic). URL: http://netla.khi.is/menntakvika2010/alm/024.pdf

PINAR GűRAN

Guran, P., Anlas, O. Under Construction: The Musical Transformation of Identity Among Young European Turks . European Popular Music, ed Pieter Schoonderwoerd. Ashgate. (forthcoming)

TREVER HAGEN

Hagen, Trever (2010). Underground Musicking in Czechoslovakia, 1968-1989. Korall Társadalomtörténeti Folyóirat Coral Journal of Social History.

Hagen, T.(2010) Musicking in the Merry Chetto: Informal learning in the Czech Underground. EastBound: Special Issue in Popular Music Studies in Eastern Europe.

Hagen, T How to be non-official: musical maps in Czechoslovakia in the 1980s. Countercultural movements in Central and Eastern Europe, ed. Balazs Trencsenyi & Gabor Klaniczay. Lexington Press. (forthcoming)

Hagen, T., DeNora, T., Non-official taping networks in Czechoslovakia and Hungary. Sound Studies Handbook, ed Trevor Pinch & Karin Bijsterveld. Oxford University Press . (forthcoming)

MARIKO HARA

Hara, M. and DeNora, T., Leaving it to the imagination – a case study of ‘envisioning’ westerness through music in WW II Japan, Oxford Handbook of Audio-visual Studies UK (forthcoming)

SIMON PROCTOR

Ansdell, G.; Davidson, J.; Magee, W.L.; Meehan, J. and Procter, S. (2010) 'From “this f***ing life” to “that's better” … in four minutes: an interdisciplinary study of music therapy's “present moments” and their potential for affect modulation'. Nordic Journal of Music Therapy 19(1): 3-28

Procter, S. (2008) ‘Premising the challenge. A response to Alison Barrington’. British Journal of Music Therapy 22(2): 77-82

Procter, S. (2006) ‘Music therapy: why not in education?’ In A. Paterson & S. Zimmermann (eds) No Need for Words: Special Needs in Music Education. Matlock: National Association of Music Educators

Procter, S. (2006) ‘Music therapy and social capital: What are we playing at?’ In R. Edwards, J. Franklin & J. Holland (eds) Assessing Social Capital: Concept, Policy and Practice. Newcastle: Cambridge Scholars Press

Talwar, N.; Crawford, M.J.; Maratos, A.; Nur, U.; McDermott, O. & Procter, S. (2006) ‘Music therapy for in-patients with schizophrenia: an exploratory randomised controlled trial’. British Journal of Psychiatry 189: 405-409

Procter, S. (2005) ‘Parents, children and their therapists. A collaborative project examining therapist-parent interactions in a music therapy clinic’. British Journal of Music Therapy 19(2): 45-58

Procter, S. (2004) ‘Playing politics: Community Music Therapy and the therapeutic

redistribution of musical capital for mental health’. In M. Pavlicevic, & G. Ansdell (eds) Community Music Therapy. London: Jessica Kingsley Publishers

Ansdell, G.; Pavlicevic M., and Procter, S. (2004, 2^nd edition 2009) Presenting the evidence: a guide for music therapists responding to the demands of clinical effectiveness and evidence-based practice. London: Nordoff Robbins Music Therapy Centre

Procter, S. (2002) ‘Empowering and enabling – music therapy in non-medical mental health provision’. In C. Kenny & B. Stige (eds) Contemporary Voices in Music Therapy. Oslo: Unipub

Procter, S. (2000) ‘Czy współimprowizcja może być terapia?’ (“Can co-improvisation be therapy?”). In S. Sidorowicz & P. Cylulko (eds) Muzykoterapia w agresji, lęku i cierpieniu. Wrocław (Poland): Akademia Muzyczna im. Karola Lipinskiego we Wrocławiu

Bradfield, S. Procter, S. (1999) ‘OTs are from Venus, music therapists are from Mars’ (a reflection on interdisciplinary working in mental health). Therapy Weekly 26 (14): ):7

Procter, S. (1999) ‘The therapeutic musical relationship: a two-sided affair?’ British Journal of Music Therapy 13(1): 28-37

Procter, S. (in press) ‘Reparative musicing: thinking on the usefulness of social capital theory within music therapy’. Nordic Journal of Music Therapy